Another History uses a disparate collection of printed tone, colour,
and texture on Japanese papers from previous work as the basis for compositional
exploration. Although the information I am using constitutes a history
of my print practice and visual study over time, the original context
is gone. The new compositions are not a continuation of any of the previous
collections, but treat the collected information as formal elements only.
I am exploring a history of this information in time; wherein as primary
meaning loses its importance, formal interest may remain, new choices
may be made, and new meaning be construed. Another History connects the history of my methodology with my current thinking in a new collection of images. |